Interesting personnel records uncovered by the Sunderland Shipbuilding Archives project

During the past month I’ve been cataloguing the administrative records of Austin & Pickersgill Ltd and its two predecessor companies, S.P. Austin & Son Ltd and William Pickersgill & Sons Ltd. These include an interesting set of personnel records, which may be of interest to family historians whose ancestors worked in the Sunderland shipbuilding industry.

The Archives holds records of many shipyards on the River Tyne and the River Wear but these generally include little in the way of personnel records. Those that survive are often wage books, which contain very few personal details and often just relate to the shipyard’s clerical staff, draughtsmen and foremen. The records of Austin Pickersgill and its predecessors are unusual, though, because they contain information about the shipyard workers whose personal details are rarely found in other collections.

The archives of S.P. Austin & Son include a large quantity of personnel records. Of particular note are nine drawers of index cards (TWAM ref. DS.AP/2/9/1-9) containing brief details of men and women employed by the yard from the 1910s to the 1940s. A couple of examples are shown below.

Index card for James Bulmer, 1927-1936 (TWAM ref. DS.AP/2/9/1)

 

Index card for Emily Bush, 1943 (TWAM ref. DS.AP/2/9/9)

The card for Mrs Emily Bush is part of a small but interesting series in the final index card drawer relating to women who worked in the shipyard during the Second World War. Although the information given on these is slim it is relatively rare for any of these details to survive for the catchers, fitters, heaters, holder ups, joiners, labourers, painters, platers, plumbers, rivetters, red leaders and other employees who worked in the shipyards. Helpfully, the cards are arranged in alphabetical order, which makes it easy to search for an ancestor’s name.

The Austin’s records also include six apprentices wage rate books (TWAM ref. DS.AP/2/10/1-6), covering the years 1924-1964. These are arranged by trade and the information given for each apprentice includes:

  • Name
  • Date started
  • Date of birth
  • Details of wages.
    Details of apprentice fitters at S.P. Austin & Son, 1924-1928 (TWAM ref. DS.AP/2/10/1)

 

There are fewer surviving personnel records for William Pickersgill & Sons Ltd but these do include some interesting items. For example, there are two registers of starters dating from 1930-1939 and 1948-1956 and these include useful personal details such as:

  • Name
  • Address
  • Date of birth
  • Date started
  • Last employer
  • Trade

The information about previous employers is likely to be of particular interest to family historians and also reflects how a significant number of workers moved from one firm to another.

In 1954 S.P. Austin & Son Ltd merged with William Pickersgill & Sons Ltd to create Austin & Pickersgill Ltd. The employee records for the amalgamated company survive pretty well and include details of starters and leavers from the 1950s to the 1980s, although there are some gaps.

Entries from register of new starters at Southwick yard, showing details of previous employers, August 1956 (TWAM ref. DS.AP/2/16/1)

It’s interesting to note that one of the employees listed above was 67 when he started at the Southwick Yard. We’re approaching a time when many people will have to work longer before retirement but it’s clear that to some of our ancestors this would have been the norm.

There are also twenty yard employees registers (sometimes referred to as ‘hands on books’) for the Southwick Yard. In the yard employees registers the workers are grouped by trade (in order of board number). A separate register was kept each year and these include names and addresses and also give dates of leaving and reasons for leaving, where applicable.

Details of shipwrights at Southwick yard, from a yard employees register for 1956-1957 (TWAM ref. DS.AP/2/23/2)

Access is restricted to these registers because some entries contain sensitive personal information about dismissals. An example of such an entry is given below.

Note regarding the dismissal of a shipwright, from a yard employees register for 1956-1957 (TWAM ref. DS.AP/2/23/2)

 

Even though direct access is not available to leavers registers and yard employees registers it is possibly to request searches of them by the Archives staff. These searches are carried out through our paid research service and details of this can be found on our webpages.

Colin and have both recently started working on the records of William Doxford & Sons Ltd and I look forward to reporting more exciting discoveries next month.

Post by Alan Hayward, Archivist

Settle Down Cafe hosts Archives Exhibition

We’ve installed one of our exhibitions at The Settle Down Cafe in Newcastle. It’s called, Out of One Eye: the photography of Jimmy Forsyth”

Why not pop along and have a look…? Let me know what you think.

Jimmy Forsyth came to Newcastle from Barry, South Wales, in 1943.  He had come to work at ICI in Prudhoe as part of the war effort.  He had been at work for only four days when an accident led to the loss of sight in his right eye.

When the war ended and servicemen returned to their old jobs, Jimmy found it increasingly difficult to find work.  He settled in Elswick and spent his days walking and reading about the history of his adoptive home.

In 1954 he bought a camera from a junk shop and began taking pictures along Scotswood Road. At first they were just snapshots – people he knew, places that interested him. Eventually he decided to try to make a comprehensive record of where he lived – he wanted to document the people who lived and worked there and the buildings and the streets that were being knocked down during T. Dan Smith’s redevelopment of the west end of the city.

The cafe entrance...always a warm welcome

The cafe entrance...always a warm welcome

Widespread recognition of his photographs did not come until 1981, when he was discovered by Newcastle’s Side Gallery, which mounted major exhibitions of his work.  In 1987 he was awarded the prestigious Halina Award for photography.

Jimmy died in 2009 at the age of 95.  Tyne and Wear Archives holds over 40, 000 negatives of his work.

Some of the images in situ

Some of the images in situ

One of the images you can see in the exhibition

One of the images you can see in the exhibition

http://www.thesettledown.com/

Fashion for the uninitiated

I have to say, I’m a bit like Ugly Betty when it comes to dressing myself and having knowledge of the fashion world, so creating a fashion-inspired exhibition was a learning curve for me.

View of the entrance to exhibition

View of the entrance to exhibition

‘When art became fashion: the story of South Shields fashion designer, Jax Styler’ opened on Saturday 11 February, complete with pop art and Jessie J-inspired bottle top jumpers. I wrote the labels for the exhibition and had to search out a lot of information. There is a small section with a case of tattooing instruments (a subject that I’m a bit fan of) so not only did I go and visit the Roker Tattoo Studio in Sunderland, but I also ended up researching famous tattoo artists such as ‘Sailor Jerry’. Now at the risk of showing my ignorance, I thought that was a brand, but ‘Jerry’ was actually an American bloke whose real name was Norman Collins!

Tattooing objects

Tattooing objects

The main focus of the exhibition, however, is on a young artist- turned- fashion designer called Jax Styler. Last year she won the Shields Gazette’s ‘If We Can, You Can’ entrepreneur’s competition, winning a package of prizes to help her set up her clothing brand, also of the same name.

Many of her designs are still in production (in Turkey) but the exhibition offers a taster of what to expect from the young entrepreneur, which includes t-shirts and jumpers inspired by celebrity styling.

There are also a number of her artworks on display, showing her pop culture inspirations that include music artists such as Lady Gaga and old-school icons including Marilyn Monroe.

Pop art-inspired paintings by Jax

Pop art-inspired paintings by Jax

There is probably a lot that I should be taking away from this exhibition with regard to how to dress myself better. Jax’s website will be launching soon, with her clothing range available to buy online. I can see my next pay packet disappearing very quickly….

By Gill Scott, Exhibitions and Events Officer at South Shields Museum & Art Gallery

Photographic collection gets its own room in the Archive Stores

A recent move of material over to the Northern Region Film & Television Archive at Teesside University www.nrfta.org.uk meant that a small room became vacant in the archive stores at Discovery Museum.

The Archivists and the Conservation Officers agreed that this was the right place to manage the environment required to store photographic material. A grant from DCMS enabled us to purchase and install a dehumidifier and chiller unit which will help to maintain the right environmental conditions.

I asked Matt, one of the Conservators, to explain, “The majority of the negatives are supported by a cellulose acetate layer which is prone to self destruction. As they age they give off acetic acid vapour. This causes the plastic to shrink and crumble distorting the image. Known as vinegar syndrome the chemical degradation can only be slowed down by a reduction in temperature. If the humidity is too high the silver in the photographic gelatine layer can also corrode and migrate through to the surface of the negative where it causes a mirror like effect damaging the image further”.

Once the conditions were right the move could take place. Last week Dawn (Conservation Officer) & Peter (General Assistant) moved about 200 boxes of photographic negatives into their new environmentally conditioned home.

Dawn and Peter, the move masterminds, show Mel how it’s done. The new store is looking good behind the red door.

Dawn and Peter, the move masterminds, show Mel how it’s done. The new store is looking good behind the red door.

Job done! Peter slides the last box into place.

Job done! Peter slides the last box into place.

So why invest in the Turner Collection? 

Turners was established in Newcastle upon Tyne in the early 1900s. It was originally a chemists shop but in 1938 become a photographic dealer.

Turners went on to become a prominent photographic and video production company in the North East of England. They had 3 shops in Newcastle city centre, in Pink Lane, Blackett Street and Eldon Square. The business closed in the 1990s.

From the 1950s the business was largely involved in film-making and made many commissioned films for local businesses and organisations including routine filming of ship launches on the Tyne.

As well as these films, Turners’ work is represented in the archives of a number of companies and local authorities held at Tyne & Wear Archives, including Newcastle City Council, Mott, Hay and Anderson and Swan Hunter Shipbuilding.

Access to the photographic negatives is provided through a series of day books that record each job undertaken by the company.  Volunteers are currently working on compiling an index to these volumes. This will make the collection more accessible.

Over the years, Turners’ photographers took thousands of photographs, a small sample of which can be seen on our Flickr stream.

http://www.flickr.com/photos/twm_news/sets/72157626834280271/ 

http://www.flickr.com/photos/twm_news/sets/72157626585625407/ 

http://www.flickr.com/photos/twm_news/sets/72157625316987586/ 

http://www.flickr.com/photos/twm_news/sets/72157627128959897/  

By Mel Whewell, Principal Officer: Collections Management

 

Revelations of racial discrimination at sea, discovered in the plans of the Sunderland shipbuilding firm, Bartram & Sons

I’m pleased to report that work continues apace with the Sunderland Shipbuilding archives project. Colin and I are both currently working on the records of Bartram & Sons Ltd. The Bartrams shipyard was located at South Dock, Sunderand and was unusual in that it launched vessels directly into the North Sea rather than the River Wear.

Last month’s blog mentioned an interesting plan of a CAM ship, which Colin discovered, and he’s been finding more fascinating items this month. Of particular interest are a series of plans of the ships ‘India’ and ‘Timor’, which were launched by Bartram & Sons Ltd in 1950 (yard numbers 329 and 330). The vessels were built for the Companhia Nacionale de Navagacao of Lisbon, Portugal.

Photo of 'India' taken during sea trials (TWAM ref. 3396/6032E)

Photo of 'India' taken during sea trials (TWAM ref. 3396/6032E)

Bartrams seem to have been particularly proud of these vessels, which were the largest passenger vessels built in Sunderland for over half a century. However, an examination of one of the plans of the two ships hints at something much less praiseworthy. The plan concerned shows the ‘arrangement of emigrant spaces’ (TWAM ref. DS.BM/4/PL/1/329/18) and makes several references on the plan to spaces for ‘white emigrants … or cargo’.

Plan of emigrant spaces for the ships 'India' and 'Timor' (TWAM ref. DS.BM/4/PL/1/329/18)

Plan of emigrant spaces for the ships 'India' and 'Timor' (TWAM ref. DS.BM/4/PL/1/329/18)

Detailed view of part of plan of emigrant spaces (TWAM ref. DS.BM/4/PL/1/329/18)

Detailed view of part of plan of emigrant spaces (TWAM ref. DS.BM/4/PL/1/329/18)

There’s further evidence of racial segregation in the hull specification for the ‘India’ and ‘Timor’ (TWAM ref. DS.BM/4/6/329/2), which I recently catalogued. Two loose pages of typescript notes, tucked into the specification, document the visit of a Dr Ferreira and Mr Ruis on 2 March 1949. During the visit it was agreed that the crew’s accommodation was approved “subject to certain movement of rooms to enable Greasers, Seamen and Boys to be more segregated from the remainder, as they are Natives …’.

Loose notes of a meeting found in hull specification for the ‘India’ and ‘Timor’ (TWAM ref. DS.BM/4/6/329/2)

Loose notes of a meeting found in hull specification for the ‘India’ and ‘Timor’ (TWAM ref. DS.BM/4/6/329/2)

While such discrimination is perhaps reflective of the era it is certainly no easier to stomach for that. However, one of the key roles of an Archive is to provide a window into the past, to document a society’s past failings as well as its achievements. It’s the least we owe to those who, with little power to speak out, may have suffered in silence.

By Alan Hayward, Archivist

Volunteer Ran Museums nominees – Weardale Museum & Bellingham Heritage Centre

As promised here is the film looking at Weardale Museum and Bellingham Heritage Centre ,who were nominated for the Outstanding Achievement by a Volunteer Run Museum Award at the Renaissance North East Museum Volunteer Awards 2011.

The Outstanding Achievement by a Volunteer Run Museum Award (Artwork by Annie Rie, available at the Laing Art Gallery Shop)

The Outstanding Achievement by a Volunteer Run Museum Award (Artwork by Annie Rie, available at the Laing Art Gallery Shop)

Congratulations to Bellingham Heritage Centre!

Enjoy the film!

Film: Outstanding Achievement by A Volunteer Run Museum Award Nominees - Weardale Museum & Bellingham Heritage Centre

Film created by Lucy Cooke, Caroline Brown and Rob McIver – TWAM 2011.

With thanks to Weardale Museum and Bellingham Heritage Centre

By Lauren Prince, Project Coordinator for Culture Track at Tyne & Wear Archives & Museums

The Great North Museum: Hancock Library – discovering Mr E. Story-Gofton

By Martin Collins (Library volunteer)

One of the great joys of rummaging through the Society of Antiquaries (SANT) books in the Great North Museum Library is that you can never be exactly sure what you will come across. One of my many passions is the theatre so finding that the library had a copy of Ellen Terry’s autobiography was a joy. However, as it turned out, it was not Miss Terry that proved to be the most interesting aspect of this book. It was the person who had once owned the book and had donated it to SANT who took my interest, Mr. E. Story-Gofton.

'The Story of My Life' by Ellen Terry

'The Story of My Life' by Ellen Terry

On the fly page is a dedication “To Story Gofton, with very kind regards from Ellen Terry” and dated October 1908. Opposite, pasted to the cover, are press cuttings about Story-Gofton playing in Bernard Shaw’s Captain Brassbound’s Conversion along with a cartoon. Further in there is a hand written note from Terry herself to Story-Gofton welcoming him to the tour. The book is protected by a “Boots Book-Lovers Library” dust cover (a historic document in its own right) and in the back of this are a number of letters, cuttings and photographs. So who was E. Story-Gofton?

Mr Story-Gofton

Mr Story-Gofton

Edward John Story [Gofton to be] was born at Elswick Row, Newcastle on 31 July 1845. He was educated at the Royal Grammar School where he obtained his love of the theatre, and throughout his life he performed as an actor and singer. He managed a number of touring companies both in this country and overseas. At the beginning of the 1890s he was performing Shakespeare and other plays in Africa; in 1893 he returned to Newcastle to direct Cinderella at Tyne Theatre (where he had been the manager for a number of years previously), and the new year of 1898 found him at the Theatre Royal, Sydney, Australia. At the turn of the twentieth century moving pictures were developing fast and Story-Gofton appeared in a number of them between 1913 and 1922. Towards the end of his life he and his wife lived in Ilford, Essex, and Story-Gofton continued his work as a theatre critic writing a number of articles and letters to newspapers. He died aged 92 at his Ilford home in 1939.

This has by its nature only been a sketch of a man of the theatre and of course there is much more to tell. However, this illustrates just what unexpected gems can be found while rummaging through old books.

Many thanks to Martin for this fascinating piece of research. The book Martin was looking at is The Story of My Life by Ellen Terry, published by Hutchinson & Co. in 1908, and is in the collection of the Society of Antiquaries of Newcastle upon Tyne. As Martin says, you never know what exciting snippets of information you might come across while browsing through the books in the Great North Museum Library.

For library opening times please visit the Museum’s website or phone 0191 2223555 for more details.

(Please note that the library will be closed for Christmas and New Year from 23 December until 3 January).

New books in the library

New books in the GNM Library

New books in the GNM Library

 

All three library collections have a range of new books. Here is a selection:

Carlisle : excavations at Rickergate, 1998-9 and 53-55 Botchergate, 2001 / edited by Rachel Newman, Cumberland and Westmorland Antiquarian and Archaeological Society, 2011

The Romans came this way : the story of the discovery and excavation of a Roman military way across the Yorkshire Pennines / Norman Lunn … [et al.], Huddersfield & District Archaeological Society, c2008

Benwell’s big houses : a social history / by Mike Greatbatch, Newcastle Community Heritage Project in association with Tyne Bridge Publishing, 2011

The Celtic and Roman traditions : conflict and consensus in the early medieval church / Caitlin Corning, Palgrave Macmillan, 2006

A Roman settlement and bath house at Shadwell : excavations at Tobacco Dock and Babe Ruth restaurant, the Highway, London / Alistair Douglas, James Gerrard and Berni Sudds, Pre-Construct Archaeology, c2011

The frontiers of imperial Rome / David Breeze, Pen & Sword, 2011

An encyclopaedia of North-East England / Richard Lomas, Birlinn, 2009

British Oaks: a concise guide / Michael Tyler, Crowood Press, 2008

Natural selection and beyond: the intellectual legacy of Alfred Russel Wallace / edited by Charles H. Smith and George Beccaloni, Oxford University Press, 2008

 

An exciting recent donation of Sunderland shipbuilding archives

One of my hopes for the ‘We Mak’em’ Sunderland Shipbuilding archives project, when it started in June, was that it would encourage former employees of the shipyards and their families to come forward with fascinating additions to the collections we hold. Last month this hope was realised beyond my wildest expectations when we received a fantastic donation of documents for the shipbuilding firm, Joseph L. Thompson & Sons Ltd. This generous donation was made by Sarah Thompson, a member of that famous shipbuilding family.

It was clear from early on in the project that there were major gaps in the records for Joseph L. Thompson & Sons Ltd. In particular no Board of Directors’ minutes were known to survive and I feared the worst – that they had most likely been lost or destroyed. I am excited to report that, thanks to Mrs Thompson, we now hold a complete record of both Board and AGM minutes for the firm dating from its establishment as a limited liability company in 1894 up to 1954. The donation also includes a signed set of the firm’s annual accounts from 1894 to 1969. These are key records for anyone researching the firm’s history or indeed Sunderland shipbuilding in general. They give us a unique insight into the running of the firm covering a variety of subjects including orders, the development of the shipyard premises and the company’s financial position.

I’ve only been able to enjoy a quick browse of the minute books but have already come across a few interesting items. For example, an entry from July 1923 documents the decision to built two small colliers in order to keep the shipyard operational in a difficult economic climate.

 

Board of Directors minutes, 23 July 1923 (TWAM ref. DS.JLT/1/7/1)

Board of Directors minutes, 23 July 1923 (TWAM ref. DS.JLT/1/7/1)

The Board minutes for 10 February 1941 are also noteworthy because they refer to a hugely significant journey to the United States by Cyril Thompson, Managing Director of the firm. He headed an Admiralty Merchant Shipbuilding Mission to get American yards to construct cheap and economical vessels for the British Government to a prototype designed by Joseph L. Thompson & Sons.

As the minutes indicate on the return journey from America, the ship on which Thompson was travelling, the ‘Western Prince’ was torpedoed and sunk in the Atlantic. Thompson and his fellow survivors escaped in lifeboats and were picked up by a tramp steamer, which took them back to Britain.

 

Board of Directors minutes, 10 February 1941 (TWAM ref. DS.JLT/1/7/2)

Board of Directors minutes, 10 February 1941 (TWAM ref. DS.JLT/1/7/2)

The Mission proved a success and contracts were signed to construct two new shipyards in Maine and California in order to build the sixty cargo vessels that the Admiralty wanted. As it turned out, the Mission was to have even greater unforeseen consequences. The Joseph L. Thompson & Sons prototype proved so popular that it was used by the US Government as the basis of over 2,700 ‘Liberty ships’ built at American shipyards between 1942 and 1945. It’s no stretch of the imagination to suggest that those ships were vital to the ultimate success of the Allied war effort.

The records donated by Mrs Thompson also include numerous other items of interest including a salaries book dating from 1878 to 1885, giving the names of officials and foremen during that period. Other aspects of the firm’s work are covered, with operational records such as estimates and books of lines plans, as well as publicity material such as photographs and scrapbooks.

There are a small number of impressive early photographs of vessels built by the firm, such as this image of the launch of the ‘Vencedora’ in 1860.

 

Launch of the 'Vencedora', 1860 (TWAM ref. acc. 5181)

Launch of the 'Vencedora', 1860 (TWAM ref. acc. 5181)

The photographs also include several images of the ‘Coogee’, originally launched by the firm in 1887 as the ‘Lancashire Witch’. The ‘Coogee’ now lies shipwrecked outside Port Philip Bay, Melbourne, Australia and is apparently very popular with divers.

 

Photograph of the 'Coogee', late nineteenth century (TWAM ref. acc. 5181)

Photograph of the 'Coogee', late nineteenth century (TWAM ref. acc. 5181)

 

Before finishing this blog I must say a big thank you once again to Mrs Thompson for her generosity. There are gaps in the records of some of the other shipyards covered by this project and this recent donation has given me renewed hope that important documents, once feared lost, may yet emerge. If anyone is aware of such material I would be delighted to hear from them.

Blog post by Alan Hayward,  Archivist

Neptune Yard Launches

A recent acquisition for the Archives is the visitors book for Swan Hunter’s Neptune Shipyard covering the years 1910-1963 (TWA ref DS.SWH/5/1/6/3). This volume had apparently been put in a rubbish skip on the closure of the yard in 1988 before being rescued.

The book covers the launches of over 170 ships, with the signatures of those who attended. There aren’t many very famous names, unlike the royals who launched Navy ships at the Wallsend yard but there are a few notables. These include the parties of Chinese who attended the launches of for example the SS Hai Yuan in 1934. The ship was launched by Dr Quo Tai Chi, Chinese ambassador to Britain and his wife. Their son Merlin Quo aged 9, also present at the launch, was to become a TV producer and died in New York City in 2008.

Launch of SS Hai Yuan 1934

Launch of SS Hai Yuan 1934

Also present at a number of launches was Susan Auld, nee Denham Christie, the first woman to graduate as a naval architect from Durham University and designer of battleships and of the landing craft used to land Allied troops in France on D-Day.

Launch of HMS Bullfrog (TWA ref ds.swh/5/1/6/3)

Launch of HMS Bullfrog (TWA ref ds.swh/5/1/6/3)

By far the most attractive thing about the book is the individual paintings that illustrate each launch, in some cases just flags, but in others very detailed illustrations such as the one of Bamburgh Castle.

Launch of MS Bamburgh Castle, with illustration of Bamburgh Castle (TWA ref ds.swh/5/1/6/3)

Launch of MS Bamburgh Castle, with illustration of Bamburgh Castle (TWA ref ds.swh/5/1/6/3)

An explosive flower show

Towards the end of August a member of the public dropped some items off at the reception desk in South Shields Museum & Art Gallery. The individual preferred not to leave a name or contact details, but the items were duly placed on my desk, ready for me to look at when I was next in the office. It’s my job to decide if an item would make a good addition to the museum’s collection, based on its local relevance, provenance, and whether or not we already have similar examples.

The reception desk and gift shop at South Shields Museum and Art Gallery

The reception desk and gift shop at South Shields Museum and Art Gallery

Among the items was a tin can of movie film. Tyne & Wear Archives & Museums don’t normally collect film, as we don’t have the proper facilities or staff to store, preserve and make film accessible. However, if a film is offered to us, we would normally pass it on to the Northern Region Film and Television Archive (NRFTA), who are based in Middlesbrough.

I opened the can and inspected the end part of the film, which read “Seaton Burn Flower Show & Sports, Sat. Aug 30th”. Seaton burn is a village in Tyne & Wear, north of Newcastle upon Tyne and near Wide Open, close to the Northumberland county border. Clearly, this was the title of an old news reel, probably made for distribution to local cinemas.

Seaton Burn about 1910, showing allotments and terraced housing. Image courtesy of Newcastle City Library.

Seaton Burn about 1910, showing allotments and terraced housing. Image courtesy of Newcastle City Library.

Seaton Burn about 1912. Image courtesy of Newcastle City Library.

Seaton Burn about 1912. Image courtesy of Newcastle City Library.#

I got in-touch with David Parsons, Film Archivist at the NRFTA, who said that the film could well prove to be “quite important”. He was, however, concerned that it might be nitrate film, used in the early days of cinema and potentially dangerous, with a tendency to burst into flames if not kept in the right conditions.

The film in question

The film in question

I took some pics of the film and sent them to David, who confirmed that the film was indeed nitrate stock, and would need to be handled very carefully. He said that the NRFTA would love to take possession of the film, but that as it was nitrate, it would need to be sent for specialist storage at the British Film Institute (BFI) National Archive in Berkhamsted, Hertfordshire, where it would be securely stored and a copy made, enabling it to be safely viewed.

The title

The title

And so that brings me to today, when a specialist transportation company have arranged to pick up the film and take it from South Shields to the BFI in one of their temperature controlled vehicles, within an airtight cylinder. Such measures are necessary to ensure against the film spontaneously combusting!

Note the nitrate film symbol (representing a flash / explosion) at the edge of the film

Note the nitrate film symbol (representing a flash / explosion) at the edge of the film

I’m intrigued to discover what is on the film, as I was only able to unravel enough to look at the end bit with the title on. It is believed to date from about 1920 or thereabouts, judging among other things by the style of the title lettering. When I hear back from David Parsons at the NRFTA, via the BFI, I’ll blog again about the contents of this mystery film!

By Adam Bell, Assistant Keeper of Social History